During this course, we will explore basic pottery principles to form a good foundation for a wide range of creative ceramic projects.
During this 5-week course, students will learn the fundamental techniques of hand-building pottery, including slabbing, coiling, and pinching. They will also explore surface decoration using coloured slips and oxides and complete their work with glazing techniques. The course encourages creativity and personal expression while building confidence in ceramic construction and finishing methods. You will be allocated 6kg of clay for the duration of the course.
In the first session, students will learn the slab-building technique to construct a cylindrical vessel or pot with a fitted lid. They will also create a matching spoon using pinch and moulding techniques. Decorative details will be added using coloured slips to enhance texture and character.
Students will design and build small ceramic cottages based on their own ideas. The session will focus on understanding the ideal dryness level of clay for successful construction, and how to join slabs effectively to form stable 3D structures.
This session introduces coiling techniques to build a bowl or an object. Students will explore how to gradually build up their forms while maintaining structural integrity, with freedom to express their own design ideas.
Students will begin a personal project using any combination of the techniques learned so far—slabbing, coiling, and/or pinching. This is an opportunity to develop a unique piece with guidance and support.
In the final session, students will glaze all their pieces. This includes learning about different glazing techniques and finishes to complete their work.
(Please read the booking terms and conditions by downloading them HERE).
I completed my ceramic degree at West of England Bristol University. I then set up several workshops and exhibited my work in various galleries.
I enjoy teaching, sharing, and exploring processes, techniques, and unexpected outcomes. My passion is throwing, but I love all aspects of clay: the smell, the feel, and the possibilities.